Head Over Heels: A Romantic Comedy (Love in the Pacific Northwest Book 1)

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With a remarkable dearth of charm, Farrell inhabits David, a man who, upon learning that his wife has cheated on him and so must end their relationship, is legally required to check in to a hotel where he has 45 days to find a new mate, lest he be transformed into an animal of his choosing. David easily settles upon the titular namesake, the lobster, which he explains he picks because of their seemingly-immortal lifespans, the creatures like human ears growing and growing without end until their supposed deaths.

Regardless, Lanthimos and Filippou find no pleasure in explaining the foundations of their film, busier building an absurdly funny edifice over which they can drape the tension and anxieties of modern romance. In that sense, The Lobster is an oddly feminist film, obsessed with time and how much pressure that puts on people, especially women, to root down and find someone , no matter the cost. Serendipity Director: Peter Chelsom. This seldom happens in real life, so we love it when it happens in movies. Somehow that, plus great Valentine-to-New-York settings, plus putting Jeremy Piven to especially helpful use, combined with a core idea that just seems fundamentally resonant to a lot of humans—well, it just works, even if there are no surprises to be found in this thing at all.

She is middle class, raised by a single mother and, as everyone has been quick to point out, Chinese- American.

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If Crazy Rich Asians is not as barbed in its satire about the bourgeoisie as one might want in a cultural landscape where it has become more popular to be vocally anti-capitalist or at least skeptical of capitalism as a system and ideology , it nonetheless sparkles in its in-jokes about Asianness and Chinese families and the interconnectedness of other Asian people. In the skin of a very competent romantic comedy, it is slickly directed by Chu, whose strength in making champagne on a beer budget lies not in the objects on display in and of themselves, but in the color correcting and cinematography by Vanja Cernjul.

Overboard Director: Garry Marshall. Hawn and Russell make it work, and that alone is enough to make this version as opposed to the film starring Anna Farris worth a spot on this list.

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Tootsie Director: Sydney Pollack. Can you imagine how audiences and critics might react to Tootsie if it came out in theaters today? You can just picture this film getting lambasted today for making a joke out of homophobia and for having the gall to ask viewers to sympathize with the plight of an actor who has to dress as a woman to find work.

Lara Jean and Peter get together because of a lie, sure, but their intentions toward each other are never anything but pure, and their reactions when trouble hits, never vicious.

This sweetness works because, like Johnson et al. Desk Set Director: Walter Lang. Of the nine movies Katherine Hepburn and Spencer Tracy made together, Desk Set may not be the most well-known, but the romantic comedy was almost shockingly ahead of its time.

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Ricky is a town beauty, known for her outspokenness, wit, fashion sense and being trans. The connection begins as a simple and effortless friendship, but both girls find their mutual interests and understandings quickly morph into something more. We tend to unconsciously politicize transgender films, but Boy Meets Girl dodges that bullet entirely. Love, Simon Director: Greg Berlanti. Love, Simon was not the first queer teen movie though it was being touted as if it was , and it was not even the first queer film to explore digital identities, but the film is nonetheless of interest because of the way that it uses digital spaces to project who Simon wants to be and and what Simon wants gay desire to look like.

Love, Simon is one of a few very recent queer films that has its protagonist use the internet to imagine who they could be, or who they think they should be. Their mutual point of magnetism: They both like fiction books. Nevertheless, Chalti Ka Naam Gaadi was one of the first Hindi films to focus on a madcap comedy and romance angle, with the drama and action taking more than a backseat in the meandering plot.

The story involves three brothers Brijmohan, Jagmohan and Manmohan who run an auto repair shop, played by three brothers in real life: Ashok Kumar, Anoop Kumar and Kishore Kumar. After being jilted in love, Brijmohan counsels his younger brothers never to trust women. Enter damsel-in-distress Renu, played by the luminous Madhubala, whose car breaks down one stormy night. Manmohan fixes her car, and the pair fall in love. Fortunately, Manmohan and his brothers intervene, and after a bout of boxing, the three brothers are united with their loves. Chalti Ka Naam Gaadi features classic songs that are hummed to this day, slapstick comedy and brilliant chemistry between the lead actors.

Backward, and wearing high heels. Or in this case, saddle shoes. Obvious Child Director: Gillian Robespierre. Above all else, Obvious Child is a compassionate film. That might strike pro-life viewers as odd, even offensive, to say since this romantic comedy-drama features a main character getting ready to have an abortion. That the movie also manages to be funny and incredibly sweet is a small marvel. In fact, as the film opens, she walks off stage from a small Brooklyn club to discover that her boyfriend is leaving her for her friend.

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Thrown into depression, Donna alternates between stalking her ex and trying to turn her misery into standup material. Obvious Child seeks to rethink the typical twenty-something romantic comedy. The setup is almost a parody of the scenario usually visited upon a sad-sack protagonist: Not only does Donna lose her boyfriend, she also discovers her job is ending, leaving her in a state of total limbo.

Touching on a red-hot issue, Obvious Child is agreeably gentle, and even wise. Beginners Director: Mike Mills. Christopher Plummer is absolutely smashing as Hal, a man coming out late in life after the death of his wife, Georgia Mary Page Keller. Told in flashbacks from the s up to , Beginners demands total concentration from the viewer. For Hal, this means coming out as both a gay man and as a bit of a partier; for Oliver, this means finally growing out of an extended adolescence and understanding how to love someone else even when loving is painful.

For queer people, many of whom end up experiencing both of these realities, the film will particularly hit home. Beginners deserves to be recognized as a classic of queer cinema.

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Scott Pilgrim vs. Shaun of the Dead just happens to have zombies and Hot Fuzz just happens to have two males as its romantic leads. In this way, Scott Pilgrim vs. Just as in a musical, where characters start singing when emotions run too high, Scott Pilgrim dishes out videogame-style duels whenever emotional conflict comes into play.

As heightened as Scott Pilgrim may seem at times, its undertones are all too relatable.


Head Over Heels by Cindy Procter-King

Priceless Director: Pierre Salvadori. Her best-laid plans begin to go awry as she develops feelings for a man of average means. She is, as usual, sincere in her delivery—even when she is delivering a sincerely superficial character. She also plays an amazingly convincing drunk, which some of the best actresses of our day ahem, Kate Winslet , ahem have been unable to accomplish. One of the best films to come out of this new wave was this heartfelt and sweetly funny film, co-written by its stars Jennifer Westfeldt and Heather Juergensen.

Bull Durham Director: Ron Shelton.

And yes, I too believe there should be a Constitutional Amendment banning Astroturf and the designated hitter. I believe in Bull Durham. The most engaging presentation of the minor-league life on film—and a pretty salute to baseball, in general—this first installment in the unofficial Kevin Costner Baseball Trilogy proved that baseball could equal big box office. While You Were Sleeping , a throwback romantic comedy in the screwball mode, is impossible not to like, a standout of the genre that holds up more than two decades after its release. Lucy takes tokens from and pines for well-dressed lawyer Peter Callaghan Peter Gallagher before—long story short—he ends up in a coma.

Keith Eric Stoltz is an earnest working-class kid who wants to be a painter and whose dad is very, very determined that he get a college education. Even today, Bollywood actresses tend to play second fiddle to their male counterparts, so Kajol who goes by her first name never quite got the same glory.

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Twenty years on, Bollywood films continue to invoke DDLJ as an epitome of romance, with young actors trying to recreate their own versions of Raj and Simran. Set partially in London and partially in Punjab, India, DDLJ was one of the first films to specifically target an Indian diasporic audience with a story that stays true to Indian traditions such as respect for your elders, while also advocating young lovers to follow their heart. A win-win situation! Raj and Simran accidentally meet on a train trip across Europe. After a couple of cute confrontations, sparks fly between the two.

He befriends the prospective groom, and slowly wins over all the family members with his shenanigans. A hit soundtrack, lovely visuals of India and abroad, and a leading couple that charmed their way into its audiences, all contribute to DDLJ being included in all sorts of Bollywood lists. Jeffrey Director: Christopher Ashley.